Sunday, 21 May 2017

Album Review... Siena Root - A Dream of Lasting Peace

13 years ago Siena Root released their debut album 'A New Day Dawning' and from that moment, they became a mighty force in heavy rock and roll.  The Swedish rockers have 5 highly acclaimed studio albums and a killer double Live record under their belt; and whilst there have been some lineup changes over the years, they've continued to move and evolve always for the better.

With the release of their next opus 'A Dream of Lasting Peace' also comes the news that they will be supporting the legendary Deep Purple on the German dates of their next tour, which of course is a perfect fit and evidenced over 10 fantastic tracks on the record.

The album opens to the shuffling groove of 'Secrets' led the by the vintage organ sounds of Erik Petersson and musically transports you back in time to the early 70's. 'Tales of independence' follows with the feel of Led Zeppelin too it, a track that wouldn't be out of place on Houses of the Holy with its funky, yet classic rock stylings. 'Sundown' emulates the beautiful experiences that must have made the summer of love a wonderful thing; drenched in late sixties psych pop, lush vocals and Matte Gustavsson's wonderful guitar work. Things mellow out a little with the bluesy 'The Piper Won't Let you Stay' and 'Empty Streets' both showcase the vocal talents of Samuel Björö and his distinctive and emotive tones. 'Growing Underground' unleases a torrent of prog n roll and delivers the sound of a band enjoying themselves under promise of the kind of force you can expect to see performing live.

Elsewhere tracks like 'Outlander' and 'No Filter' show off the bands flare for classic rock, whilst proving their own distinguishing traits lift the music to be being more than respectfully retro.
'Imaginarium' is a jazzy improvisational jam taking in psych, blues and moves to the tracks conclusion with a hard rock Stomp.  Album closer 'The Echoes Unfold' is more measured rock track and a consolidation of songwriting skills and musicianship from the tracks before; Bass player Sam Riffer and percussionist Love Forsberg must also take credit for being the glue that holds each track firmly together, both demonstrate finesse and serious mastery of their art.

A Dream of Lasting Peace is a wonderful thing, harking back to the early days of the album being a musical art form that has has to be played in full, care has been taken on every aspect of the LP right down to the cover art; that is not to say these tracks don't proudly stand alone too, they absolutely do!
Theres a welcome familiarity to whats on offer here and masses of new flourishes played with conviction, I've been very lucky to be living with the album for a while now and it absolutely gets better with every play; it has the look, feel and joy of a record you'd find in a cooler elder siblings record collection when you are discovering  music for the first time, one that stays with you for a lifetime.

If you love classic vintage rock, I doubt you'll hear anything this authentic for a long time.  This is essential listening.

Siena Root Website

Siena Root Facebook

Siena Root Bandcamp

Made in Germany Music

Saturday, 20 May 2017

Album Review... Psychedelic Porn Crumpets - High Visceral (Part 2)

I’m often found browsing through new releases in the psychedelic, stoner, desert regions of the musical spectrum.  Sometimes it’s an interesting album sleeve or title that catches my eye only to be disappointed by lacklustre contents.

During one such delve in 2016, I stumbled across a colourful psychedelic sleeve with from a (then) unheard of band with quite a unique name.  Psychedelic Porn Crumpets. That album was their debut release High Visceral {Part 1} which surprised me on two levels; one, it was not what I was expecting to hear and two, just how good it sounded. This prompted numerous recommendations to friends, plus the odd tweet or two, bestowing its virtues.

Since coming together in 2015, the band from Perth, Australia have gained a strong homegrown following and toured with the likes of King Gizzard and the Lizard Wizard; fast forward to now and they have just released their sophomore album High Visceral {Part 2}.
Opening at breakneck speed with first track 'Nek' the melodic guitar stands to the forefront, counterpoint to the solid drumming.  This is what really sets the tone for the album; it sounds different from what you’d perhaps normally expect.  Second single 'Gurrzle' follows with a mixture of the intense riffs of the opener, but now slows and swirls, with an added saxophone accompaniment, without losing any pace.  'First Light in the Garden at Chipping' is a dreamy wash of new psychedelia that I can’t help but compare to having some of the overtones of the more recent QOTSA albums.
The interestingly titled 'Ergophobia' has a spiky riffed intro, before a wonderful, lolling, rhythm guitar tone (bottle this tone into a guitar pedal) no aversion to working in this song.  Throughout the album, you’d be hard pressed to find any of the usual cliches belied by a band with psychedelic in their name.  There is so much to please the listener and this changes from track to track, including  strings, jazz guitar intros, reggae rhythms and it's a perfect accompaniment to part one. I might try the OK Computer /In Rainbows experiment and blend parts 1 & 2 into a single mix.  It's a superb album and yes you can't get away from comparing them to fellow Australian compatriots Tame Impala, but I can also hear Queens and maybe a little Arctic Monkeys.
It’s said that sometimes you wear your influences on your sleeve but trust me, the beast that is music has many sleeves that reach far and wide and has no boundaries.

Viva El Swain

Psychedelic Porn Crumpets Bandcamp

Psychedelic Porn Crumpets Facebook

Rhubarb Records Facebook

Rhubarb Records

Friday, 19 May 2017

Streaming Now...

It's been another strong month for new releases and through bandcamp they're there for you to hear too.  This Month sees Moon Duo follow up their excellent 'Occult Architecture Vol.1' with the more mellow but equally as compelling Vol.2. Scotlands brilliant Psychdrone duo Boobs of Doom have put out a split release with Stupid Cosmonaught and offered up one of their strongest tracks (Vibrations From a Dying Soul) to date.
Psychedelic Spacerock label Sulatron Records released Electric Moons new lp 'Stardust Rituals'  to huge acclaim in April, and you can hear that hear now.
Jonathan Morgan recently announced he is working on his next full length; whilst we wait for that to arrive you can hear his fantastic EP 'Bells of Divinity from earlier this year.You can also stream in full the new releases from Samsara Blues Experiment, L'lra Del Baccano, The Janitors and Cachemira.
I'll be playing lots of these bands/tracks/records on the various radio shows for Hard Rock Hell Radio, Grip of Delusion Radio and as well as a ton great new music. The title links are clickable and will take you to the bandcamp page.
As always, if you like what you hear support the artists and pay for the download, or check out their pages and buy a physical version. A lot of the bands here will be selling vinyl versions and special edition packages, Enjoy!

Cachemira - Jungla

Samsara Blues Experiment - One With the Universe

The Janitors - Horn ur Marken

Stop Cosmonaut // Boobs of Doom (Split)

Moon Duo - Occult Architecture Vol.2

L'lra Del Baccano - Paradox Hourglass

DSW - Tales from the Cosmonaut

Jonathan Morgan - The Bells of Divinity

Witching Waves - Fear of Falling Down

Electric Moon - Stardust Rituals

Monday, 15 May 2017

Album Review... Geezer - Psychoriffadelia

Now here’s a conundrum; do I research a band's bio before a review? Do I allow their words and photos positively or negatively influence my interpretation of the music? Nah! So all apologies upfront.

Geezer - 'Psychoriffadelia' opens with low guttural sounds then straight into a de-tuned cover version of Nazareth’s 'Hair of the Dog'.  The easily recognised riff surges forth, you can almost feel the sound wave created by those open strings.  Riff laden with quiet/loud sections, the next track 'Stressknots' maybe should have opened the album, but hey that’s my opinion.

The instrumental title track 'Psychoriffadelia' is where the album really starts to take shape; a combination of riffs and carefully constructed melodic chordal progression that draws the listener in.  It circles around but rewards you with the expected result; slowly building, yet always extenuating the main riff.  The drums drift in and out, giving a trippy, distant, hazy sound.  The tracks all intersect together, without any space, so seamlessly next up is fourth song 'Red Hook'.  Tremolo intro, with a haunting backing; the guitar riff has a superb repetitive eastern flavour and atmospheric slide guitar parts with the song featuring minimal vocals, six minutes long to soak up the centre of the album, nicely.  Spacey flanger sounds kick in, leading into the main riff of final track 'Dirty Penny'; a song of two halves.
Underpinned by a solid rock riff, soaked in modulation, the song starts; tight bass and drums carry the song for the first five minutes, before morphing into a guitar jam.  Halfway through the track, the guitars slow down in pace, as a more spacey sound swirls around, before the drums wind it down to silence for a few seconds before kicking back in. The guitar returns with a fresh wah laden riff. This starts what I’d call the second movement of the song, quickening pace with a more free form jam atmosphere, of a similar vein to the title track, these parts are where the album really shines.
'Dirty Penny' closes the album brilliantly, with an bluesy acoustic slide guitar section that drifts away to the end of the album.
Overall, a great album that I’ve grown to like and replay many times; the parts where it really excelled are the more wig out instrumental sections where the musicianship involved shone through. I'm still not too sure about opening with a cover version...

Viva el Swain

Geezer - Bandcamp

Geezer Facebook

Kozmik Artifactz Facebook

Kozmik Artifactz

You can order the Exclusive Die Hard Vinyl Edition of Psychoriffadelia through Geezer’s Indiegogo campaign HERE

Sunday, 14 May 2017

Listen to Atom Heart Mutha May 2017 Now and Anytime

This Month's Atom Heart Mutha RadioShow is now available to listen to anytime on Mixcloud. You can go to the AHM Mixcloud page HERE or listen on the embedded player below. This months show went out on the RockShow on May 13th and again for American Radio Station Grip Of Delusion Radio on the 14th. This month features a ton of brand new releases from the likes of Electric Moon, Farflung, Grombira, Samsara Blues Experiment and Phoenician Drive.
As always if you like what you hear please support the bands and labels by buying their music, there are direct tags on the AHM Facebook Page, check it out. Atom Heart Mutha is now also a weekly 2 hr Show on the newly launched Hard Rock Hell Radio, you can hear it every Friday from 13.00 - 15.00 by clicking the link HERE

Track list:

Electric Moon - The Loop
Phoenician Drive - Two Coins For The Boatman
Moon Duo - New Dawn
Föllakzoid - Electric (feat J.Spaceman)
Farflung - You Will Kill For Me
Grombira - Priest of the Horny Kong
Motherdust - Mind the Gap
Samsara Blues Experiment - Sad Guru Returns

Saturday, 13 May 2017

Album Review... Grombira - Grombira Oriental Space Rock.

Hypnotic Bavarian Oriental Spacerock, makes perfect sense to me; and it definitely makes sense to Tonzonen records as they've just released the new Grombira record.
The band biography promises magic carpet rides with plenty of space to dance, in a nutshell, thats exactly what you get here.

The record begins with chimes and atmospheric rhythms of the track 'Pürreé'; the groove builds slowly over Eastern sound patterns and then suddenly explodes in to an incredible  high charged (oriental, yes) space rock freakout; the music is tight and engrossing. The trippy 'Carpe Noctem' follows with gongs and pipes and once more builds an ambience of cosmic oriental auras.  As with the opener, the song transforms into another hypnotic exploration of psychedelia and world rhythms before introducing trancey mantra-like vocals.
'Caravan is more stripped back piece played over simple rhythms and an acoustic guitar whilst hushed soundscapes of human interactions can occasionally be heard in the background.
'Goats in Space' is much more a traditional space rock track, the guitars are heavier and musically so too.
For me, one of the standout tracks is 'Priest of the Horny Kong' an irresistibly groovy piece that incorporates funky rhythms and bass over the Eastern styles and rocks out relentlessly, it's a trip you'll dance all the way through! The same can be said for the last track 'Selma'; whilst much shorter than most of the record at just under 6 minutes, it follows on as a full on freakout and really satisfying way to conclude the album.

The tripped out trio have put together a blend jazzy and psychedelic space rock and added oriental flavours with the use of sitars, ouds and lutes to make something very special; I hadn't heard anything by the band previously so some online reading explains just how hard working a band they are, especially live.
In fact the more you know, the more it makes sense that they have signed to Tonzonen; like label mates Knall this is a band that capture songs as moments in time, with every play live the songs morph and evolve, the recording process merely captures a snapshot and if you want to hear the bigger picture you need to see them perform. GOSR is a fantastic record and comes highly recommended; and to this day is the only LP I've ever been told goes well with olives and roasted potatoes.

Grombira Bandcamp

Grombira Facebook

Tonzonen Facebook

Tonzonen Records

Saturday, 6 May 2017

Album Review... Doublestone - Devils own / Djævlens Egn

Back in 2001 in Copenhagen, Doublestone originally formed as a duo by long time friends Michael James Bruun and Bo Blond Daugaard.  Doublestone later became a trio with the addition of Bo’s bass playing cousin.  In 2013 they released the 'Set The World Ablaze' EP and the self-titled 'Doublestone'.  The trio progressed further with Mos Generator’s Tony Reed to record their first full-length LP 'Wingmakers' in the basement of an old cheese factory in central Copenhagen.  This catapults the band to gain wider attention and praise with their reputation for playing 70s-influenced hard rock, psychedelia and southern metal.

'War Machine' leads the way setting out the tone of the record; vintage 70's style production and riffs straight from the dark lord (Ionni) himself.  As with the majority of the record, it wears its influences proudly for all to see. 'Here Comes the Serpent' rolls up next, again the track has a classic rock aesthetic to it's approach and delivers a sound like contemporary artists Kadaver and Siena Root.  The band demonstrate a real love for a time in rock history gone by, noted characteristically by the sounds of the guitars and bass work, resulting in real joy and a desire to get lost in it all.  The title track 'Devil's Own' slows things down to an engaging partially folk rock influenced piece.  Benefiting from a more acoustic style, it tells its own story before slowly introducing electric guitars for the emotive solo.
The second half of the album is sang entirely in Danish which makes it harder to comment on the themes, so far we've had wizards, snakes and lightning (although I'm pretty sure someone drinks coffee at some point)  its difficult for me to say where the final four tracks are going lyrically, not that it matters; musically the themes remain the same.
'Djævlens Egn' has a really cool rock n roll swagger to it, flirting with the 70's blues rock of bands like Dr Feelgood. 'I Natten' follows and once more harks back to distinguished sounds of bands such as Nazareth. The LP ends with the brilliant 'Solen Sover' a laid back beat and baseline give way to harmonised vocals and sporadic guitar licks before building into a perfect heavy rock blast out.

'Devil's Own' gets a release through Ripple Music, a label that over its past 5 years has proved to be a force to be reckoned with signing the likes of Wo Fat, Mothership, Zed, The Judge and the truly awesome Salem's Bend; those familiar with the label won't be surprised to read or hear Doublestone are a perfect fit for them.  It probably won't come as a surprise too that given they have a really authentic vintage rock style and loose stoner grooves to the tracks, I was sold on the first listen.  This is a record I can't stop listening to.  Get on it and pass it on.

Doublestone Facebook

Doublestone Bandcamp

Ripple Music Bandcamp

Ripple Music Facebook

Album Review... Motherdust - 1500

Hailing from Bielefeld, Germany; Motherdust are a 5 piece band renowned for hard-rocking, cosmic freakouts, and their contemporary Krautrock sound. Their album 1500 was originally released in 2014 digitally with a very limited run of CD.
Now it gets a, much deserved, vinyl reissue via German label Clostridium Records.

'Quarantine' opens to hypnotic swirling guitars and a steady beat over Lanneganesque vocal growls and fuzz.
'Mind the Gap' is a confident strutting piece of sonic blues; the build towards the intense wall of noise is intensely satisfying and really fitting with Stefan Popovic's gravelled tones. 'The Prisoner' is another track firmly influenced by heavy blues and whilst follow on track 'Shadows' continues the theme, it becomes darker before exploding into a mammoth dope-fuelled, space rock freakout.
'Coded Messages' is a filthy fuzzed up bass driven wall of distorted noise and squelching blasts of synth madness that builds to an oscillating end with guitars and baggy drumbeat.
The record concludes with the harmonica lead 'Same old Thing', once more influenced by smoke hazed blues and fierce vocal delivery.

It's an astounding record and a deeply satisfying listen; one of those rare records that once it ends you want to flip it right back to side A and put the needle back on.
1500 is my introduction to the band and I look forward to hearing more from them in the future.  I'm also intrigued as to how these tracks are served up live.
There's an energy that runs through the whole record that surely needs to be heard plugged in and amped up.
Mind bending and psychedelic; dirty, heavy and bluesy; these are irresistible combinations and this record delivers all of these things and more.  In fact, it's fair to say that Motherdust don't fuck about and you really should hear this record.  Highly Recommended.

Motherdust Bandcamp

Motherdust Facebook

Clostridium Records Facebook

Clostridium Records

Thursday, 4 May 2017

The Next Atom Heart Mutha For and Grip of Delusion Radio...

...goes out live online on Saturday May 13th at 9pm as part of the RockShow. You can hear it live as it happens by going to 
There will be a clickable player on the AHM Facebook and Twitter pages as well on Bigjaf.nets own social media. As always the encore performance will go out on the awesome American Station Grip of Delusion Radio  the next day on the 14th at 10amEST/4pmCET/3pmUK.
This months show will feature brand new tracks from recently released and upcoming records and showcase the best that HeavyPsychedelicStonerRock has to offer; until then you can check out May 2016's broadcast on the mixcloud player below.

Track List:
Zone Six - The Insight
Knall - Prologue
Jakob Skøtt - The Variable
Ozone Mama - Hard Times
Dschinn - I'm In Love
Mondo Drag - Out of Sight
Sweet Crystal - Warlords
May Blitz - Smoking the Day Away
Plant Tribe - Croakin'
The Spacelords - Synapse

Thursday, 27 April 2017

Streaming Now...

As we reach the month of May there's been a wealth of new music out again. Over the last few weeks there have been superb releases from the likes of Kentucky's Moonbow  (BMX legend/Survivor star Matt Bischoff) on Ripple Music and also Baby Guru's Prins Obi's second solo Lp 'The Age of Tourlou.
The sonic Dawn's new album 'Into the Long Night' is a psychedelic beauty and an easy record to get lost in especially wearing headphones, that's out now via Heavy Psych Sounds.
There's excellent new music from Driftwood Pyre and Grand Delusion too.
I've also included the new release from Chile's Föllakzoid featuring Jason Pierce from Spiritualized as the vinyl release for Record Store Day has sold out and these reworking are well worth your time and attention
Be sure too to check out Monobrow, the Canadian Psychedelic Stoner Rockers will be releasing 'The Nacarat' on Vinyl on May 31st and you can hear it via bandcamp now while you preorder !

You'll be able to hear lots of these bands/tracks/records on the various radio shows for Hard Rock Hell Radio, Grip of Delusion Radio and as well as a ton great new music.
The title links are clickable and will take you to the bandcamp page.
As always, if you like what you hear support the artists and pay for the download, or check out their pages and buy a physical version. A lot of the bands here will be selling vinyl versions and special edition packages, Enjoy!

Peglica i Komandos - Kefter Gatha

The Sonic Dawn - Into the Long Night

Grand Delusion - Supreme Machine

Moonbow - War Bear

Cruise Forever - God is a Triphead

Descarado - Odd

Driftwood Pyre - Strangeways EP

Prins Obi - The Age of Tourlou

Föllakzoid - London Sessions Featuring J.Spaceman

Monobrow - The Nacarat

Sunday, 23 April 2017

Riding Easy Records - Brown Acid Series (Updated)

One of the great things about music for me is discovery of older songs and albums, the lost gems, the less visible.
Brown Acid takes in HeavyPsych and Stoner Rock mostly from the 1970's and described by the Label 'Riding Easy Records' as being "Heavy Rock From the American Comedown Era".
Step inside and you get dirty riffs and tracks that offer a different side of where Heavy was during the 70s; nothing here is overblown, no 15 minute piccolo solo's that form part of a 3 hour long stadium concept record about famed monarchs on an ice skating rink.

The first trip was released in August 2015 at the time of release Riding Easy Records wrote this piece about the idea around the compilation.

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a decade, particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins — often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks of Brown Acid: The First Trip. Lance Barresi, co-owner of L.A.-cum-Chicago shop Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the 11-track compilation. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that’s hard to believe have remained unheard for so long. "I essentially go through Hell and high water just to find these records,” Barresi says. “Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for Brown Acid is best for everyone involved.” Rather than simply bootlegging the tracks, when all of the bands and labels haven’t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. “ All of (these songs) could've been huge given the right circumstances,” says Barresi. “But for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were."

2016 gave us the Second trip in the summer and built on its predecessors successes and offered more heavy duty RocknRoll, as already noted the process of locating these songs is long and arduous, and yet once again the calibre of music that made it on was incredibly high.
As noted with the First Trip, "it’s a solid set of unknown hits you can’t believe failed to connect back in their heyday due to various unfortunate circumstances, but now Brown Acid gives these long-lost gems their well deserved moment to shine."

If you thought R.E.R were getting close to the end of the Brown Acid series with their last Trip, you were dead wrong…they’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and Riding Easy aren’t afraid to get their hands dirty.  This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers. You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording legally obtained from the Beverly Hills Records vaults. “Comin Back” is the longest tune they’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to the label on the original 1/4” master tape from Hollywood’s long-defunct Demars & Duffy Music. There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid. The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. Such a bummer. Anyhow, plug in, turn up, and freak out…this is what RocknRoll is all about.

Fans of Rock musics many, many sub genres know there are a wealth of great compilations out there. The Nuggets Sets as mention above are key releases of the psychedelic movement and widely respected by fans and collectors alike, its hard to find a set of compilations not made by committee or released as a cash-in or tie in to a movie franchise.
What makes the Brown Acid Series so special is that these tracks are truly rare and don't appear anywhere else, they belong to a decade where music was built on excesses with releases often more pompous and overblown than the last and yet existed almost in secret. Better than that, they are sourced by a label that love and respect this stuff as can also be seen by the hard work and effort that goes in to the final product; each of the volumes so far have have releases in multiple colours and splattered vinyl, making them highly collectable.
These trips are heavy and enjoyable and as the brand new Fourth Trip proves, Riding Easy need to keep dropping more.

Riding Easy Records on Facebook

Riding Easy Records Official Site

Riding Easy Bandcamp

Album Review... Knall - Raubkatze auf 12 Uhr

Tonzonen are an interesting label and are responsible for releasing some of my favourite albums of the last couple of years.  In particular, The Spacelords last 2 studio albums  and more recently, Sounds of New Soma's 'La Grande Bellezza'.  Both offer up similar approaches to the same spaced out Krautrock/Kosmische vibes in terms of attitude, and around the instrumentation used, but deliver them in their own unique manner.

Label mates Knall are something else.  I was totally blown away by the last release 'Alien Funk', so much so I had to double check that it was in fact a live album; the recording was immaculate, almost  inaudible crowd sounds and music so tight you'd think it took months of layering in a studio.  As was said then, thats the genius of Knall.  The band take their music and the bare ideas for a song and let it expand, the music evolves further from every time the band play.  What you hear on these studio sessions will be something far bigger and more realised when you hear it live; taking the idea of improvisation and jamming to new levels.

'Raubkatze' takes a single note and builds through the addition of a simple bass noodle, introduces a slow tempo funk drum pattern and lets it flourish from there.  By the time the track hits the 8 minute mark, it has exploded into brain melting, psych-injected space rock almost without you realising.
'Derwisch' carries on the flow but offers urgency and intensity within the guitars and swirling sounds that run with the pulverising drums.  Coming in at 15 minutes long is 'Fell', a looser track than the rest of the album, lavishly forged with spaced out sounds, funky bass and guitar licks, it locks itself in to a groove and keeps on going.

'Sightseeing' provides another example of psychedelic space rhythms and sounds developing over ever evolving drums and jazz inflected guitar work.
'Catwalk' is stylistically different, electronic bleeps and patterns bubble through fuzzy tones and Way-Wahs in a laid back manner.  Like 'Fell' this is another track that shows the more improvisational aspects of the band.  Album closer 'Lachs' once more demonstrates how Knall can take a sparse opening such as the clean guitar sound here and shape it into a funky intergalactic psych piece, simply through layering and measured introductions of each new section and instrument within the track.

Raubkatze auf 12 Uhr dazzles with every note.  As a snapshot in time for the band, it shows rich tones and funked up rhythms from another dimension; the added promise that what you see here is not what you're going to get when these tracks are played out live, makes the record even more intriguing and appealing.  The Ltd 2x purple vinyl is available via Tonzonen's online store, grab one while you can.

Highly Recommended.

Knall Bandcamp

Knall Facebook

Tonzonen Records

Monday, 17 April 2017

More Dayz Of Purple And Hope - A Charity Compilation

About a year ago, Andy from the blog 'Dayz of Purple and Orange' assembled a charity compilation 'Dayz of Purple and Hope' in a bid to raise money for the the charities Cancer Research UK and World Cancer Research Fund International.  All profits were split between the two charities, the calibre of tracks donated was incredibly high by some exceptional artists from the world of Modern Psychedelia and Psychedelic Rock.

Sadly, since its release, Andy lost his own mother to cancer.  Soon after, Andy announced he was compiling a second volume, as he defiantly put it "the next step in unfinished business" to help raise more funds for the same charities.

It should come as no surprise that 27 tracks compiled here are nothing short of stunning; included in the set are Electric Moon's brilliant cover of 'Tomorrow Never Knows', Jonathan Morgan's 'Persian Astral', as well as tracks recorded especially for Volume 2 (Vert:X's 'Sixty-Nine Wheels and the Heavy Moon's 'Fuck Cancer'). The Band Whose Name is a Symbol and The Inteligence Service have kindly donated unreleased tracks for the project too. Other artists included are Sula Bassana, Dead Sea Apes, No Man's Valley and Psychic Lemon.

The compilation costs a very reasonable £10 via bandcamp and that gets you 2 albums worth of excellent music, whilst also donating to Cancer Research.
Head over to the Blog Bandcamp page on the links below, or alternatively Find DOPAO on Social media to show your support.

Friday, 14 April 2017

Three from White Dwarf Records

There's a huge amount of music that hits the inbox; I try and play as much as I possibly can, over the radio shows and a monthly mixcloud post.  Here are 3 albums that were recently released by the Berlin Label, White Dwarf, that are well worth your attention. The bandcamp players links are included, so you can hear some of the tracks now.  The label specialises in Heavy Psych-Rock, Stoner, Doom and Vintage sounds.  Of the music reviewed here, there's a diversity of styles that have crossover appeal; all 3 albums are without a doubt, essential listening.
If you like what you hear, please head over to the label on the links included and buy a copy!  You can also buy digital versions via the bands Bandcamp links below.  Enjoy!
White Dwarf Records

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Holy Mount - The Drought

By the frigid, windy great lakes of Toronto, Canada, situated on a broad sloping plateau, intersected by an extensive network of rivers and deep ravines, lies HOLY MOUNT.  At the summit, four hermits have been gathering for years celebrating Heavy Psych ceremonies, channeling the mystery of the great north.  Their last recorded ritual, released early this year by White Dwarf, titled 'The Drought', shows the quartet comprised of Danijel, Brandon, Troy and Clayton, at their best with heavy doomy drones, ghostly enchantings and superb guitar riffs/solos, filled with fuzz, reverberating through the Black Mountains above into the Dead Meadows below.

You really can't top a write up like that, can you?
The Canadian 4 piece demonstrate a flair for making Heavy Psychedelic Rock sound epic on the 7 tracks delivered here, the shift from mammoth slices of stoner rock on the opening track 'Division' to highly intense, oscillating psychedelia of 'Basalt Seem Almost Effortless'. 'Omnicide switches to stoner again, but displays a harder pounding style, over brilliant fuzzed up tones and swirling guitars.  The excellent 'Blackened Log' is a sonic masterpiece where otherworldly vocals and dope fuelled riffs live happily together; Its depth of sound is captivating.  'Blood Cove' flirts with doom textures over heavy, bruising drums with a depth of sound that is nothing short of captivating.  The title track brings everything together with shades of post rock and incredible walls of fuzz and feedback.

Megaritual - Mantra Music

Megaritual is the solo project of Australian multi-instrumentalist Dale Walker (also member of Sun Of Man).  His monolithic, heavy rock tunes often bear deeper intensity than most four-piece bands would manage to create.  In addition, there's also this compelling atmosphere in his tunes, where one often feels like floating between thick Stonerrock grooves and later 60s Heavy Psychedelia, with a taste of India when he strikes chords on his Sitar. "Mantra Music Volume 2", is the second release within few months between 2014-2015.  This already comes close to perfection and is a real must have for Heavy Psych-afficionados! Strongly recommended if you enjoy bands like Om, Samsara Blues Experiment, Dead Meadow and Queen Elephantine.

The record has a engulfing, atmospheric quality. Its use of sitars, bells and compelling guitars is addictive as it is hypnotic; this is firstly evident in the opening track 'Is the Heart of the Mystery...', deep drones build over Eastern sounds and measured percussions as it leads beautifully in to 'Top of the Mountain to You'; the tribal pounding over a wall of chant like vocals and sonic blasts of guitars. "Stormbringer commences with shimmering sounds and a proclamation that tells us "the dark flight of the soul has just begun', once more, the Eastern tones move to heavier swirls of intense psychedelic rock patterns.  Elsewhere, styles move to acid folk with 'Is the Sound and '∞' a dope hazed slow burner driven with cosmic guitars and a touch of 70's Pink Floyd.  Closing Track 'Have you seen the Sky Lately' is a euphoric trip through magnificent beats and progressions as it draws to incredibly satisfysing close.

Lee Van Cleef - Holy Smoke

The project Lee Van Cleef was born, as a joke, at the end of 2015 and is the result of long jam sessions between Marco Adamo, guitarist (La polvere di Bodélé), Guido Minervini, drum (Efesto, Lamarck) and Pietro La Tegola, bass (Whiskeycold Winter).  The project is influenced by bands like Earthless, Black Bombaim, Harsh Toke (to name a few).  The first work "Holy Smoke" was recorded, mixed and mastered in the Godfather studio of Naples. The artwork was done by Robin Gnista."

Holy Smoke is a fascinating album.  As with Holy Mount and Megaritual, they're a band that keep you guessing.  'Heckle Yuppies' on the face of things begins as a stoner doom track, but as the song progresses it demonstrates some brain melting guitar work that has a great vintage rock quality over them in a psychedelic Hendrix kind of trip.  The same can be said of second track 'Banshee' but this time the bass driven groove and reverberating guitars assist the track in ascending to a higher plain over 13 minutes of stoned brilliance.  'Hell Malo' is fantastic Psych rock Jam, wah wah fuelled, with heavy attitude and more irresistible grooves. 'Mahãna' continues in the earlier stoner doom mould but maintains a heavy psych vibe, as it creates sonic wall of noise over a punishing drum beat and ferocious riff.  Closing track 'Towel' is the most psychedelic track in tone on offer and also the most majestic; the wailing guitars heave above you as the drums and bass line mesmerise.  Essential listening.

Sunday, 9 April 2017

Listen to Atom Heart Mutha - April 2017 on Mixcloud Anytime...

This Month's Atom Heart Mutha RadioShow is now available to listen to anytime on Mixcloud. You can go to the AHM Mixcloud page HERE or listen on the embedded player below. This months show went out on the RockShow on April 8th and again for American Radio Station Grip Of Delusion Radio on the 9th. This month features a ton of brand new releases from the likes of Gnomes, Sula Bassana, Siena Root, Kikagaku Moyo, Here Lies Man and Devil's witches As always if you like what you hear please support the bands and labels by buying their music, there are direct tags on the AHM Facebook Page, check it out. Atom Heart Mutha is now also a weekly 2 hr Show on the newly launched Hard Rock Hell Radio, you can hear it every Friday from 13.00 - 15.00 by clicking the link HERE

Track list:
Siena Root - Growing Underground
Desert Suns - Heavy
Sula Bassana - Organ Accumulator
Gnoomes - Cascais
Gioba - This World Was Being Watched Closely
Hypertonus - Eghost
Holy Mount - Basalt
Here Lies Man - When I Come To
Kikagaku Moyo - In a Coil
Gorilla Pulp - Hope You're Feeling Better
Devil's Witches - Pornadelic Opium Dreams

Saturday, 8 April 2017

Album Review... 10,000 Russos - Distress Distress

Portugals 10,000 Russos are a formidable force within modern psychedelia; described as industrial psych/post-punk; they bring an intensely psychedelic buzz to their sound, whilst utilising hypnotic Krautrock rhythms.  Distress Distress is their second LP and is released by the London label Fuzz Club Records.

The record opens with 'Germinal', an arresting, motorik monster, that beats its way acerbically over 7 minutes of atmospheric drones and sonic inflections.  'Tutilitarian' delivers a confident bass line, whilst menacing walls of guitars and synths build and throb over its neo psych soundscapes.  'Europa Kaput' is up next and shares an approach to sound, not unlike label mates 'The Cult of Dom Keller'; the synth psych approach to modern psychedelia over krautrock beats and electronic soundscapes builds to a gratifying climax.  The sonic modulation and cosmic progressions of 'Ism' follows and shifts its focus of noise from light to dark effortlessly, before moving into the cloudy repetitions of 'Radio 1'.
'Distress' closes the record in style; a threatening beat pulsates over an evolving wall of oscillating feedback and ominous growling vocals, as the record draws to its satisfying conclusion.

Within the 6 tracks are dark undertones and heavy drones; Distress Distress demands your attention.  Inside the labyrinth of sounds are mysterious vocals, chants and metronomic rhythms; it mesmerises from start to finishes and envelopes you into a dark work of electronic psych and dope induced fogs. The influence of Neu! and Spacemen 3 are evident, but at times it also calls to mind the relentless intensity of more current acts such as Hookworms.

10,000 Russos remain a hard working, touring band.  Their performance at Liverpool Psych Fest was widely described as a stand-out set and is still being talked about now.  These tracks will surely take on heavier and irresistible form in a live set.
The futures bright for the trio right now, their second full length delivers so much and still promises more to come in the future.  Fuzz Club have played a blinder here; watch the end of year lists, you'll be seeing Distress Distress feature in many of them.

New Release Roundup

Over the last month there's been a huge amount of brand new releases worthy of your attention,  you'll be able to hear lots of these bands and records on the various radio shows for Hard Rock Hell Radio, Grip of Delusion Radio and
There are more full reviews to come soon, for now here are a few Bandcamp Links to some current and brand new releases to stream. Take some time and check this stuff out, theres some absolute gems. This time around theres New albums from Detroits awesome Ecstatic Vision, Motherships fantastic HeavyPsych monster 'High Strangeness' and Dead Sea Apes excellent dub heavy 'Sixth Side of the Pentagon , theres also new Eps from Kikagaku Moyo and Farflung. The title links are clickable and will take you to the bandcamp page. As always, if you like what you hear support the artists and pay for the download, or check out their pages and buy a physical version. A lot of the bands here will be selling vinyl versions and special edition packages, Enjoy!

Dead Sea Apes - Sixth Side of the Pentagon

Ecstatic Vision - Raw Rock Fury

 Stupid Cosmonaut - Algol


Mothership - High Strangeness

Stone Garden - Kikagaku Moyo

Farflung - Unwound Cellular Frown

Ethiva - Sublime Island

Hypertonus - Tidal Wave

Year of Birds - White Death to Power Alan

Monday, 3 April 2017

Album Review... Here Lies Man - Here Lies Man

What if Black Sabbath played Afrobeat?

I'll be honest, it's not a question I've ever asked myself; Antibalas's Marcos J Garcia has though.  "These repetitive guitar figures that happen in Afrobeat music are pretty close to heavy rock guitar riffs," Garcia explains. "It's based on the clave;  the musical algorithm that the rhythms revolve around.  That's what gives it integrity and is part of this musical conversation thats going on.  I knew I wanted it to be psychedelic and heavy; and I wanted to be expanding on a musical tradition, rather than pretending to be creating something new."

'When I Come To' opens the record with a fuzzed up riff and punchy vocals; it demonstrates, in perfect fashion, what's to be delivered over its 8 tracks.  The music is hypnotic and the beats are unpredictable, especially evident on the second track 'I stand alone'.  Everything served up here is encased in a sonic wall of distorted electric fog and hefty rhythmic drumming . 'You Ain't Going Nowhere' puts itself it up for track of the year so far; intense, urgent and far-out, the drum work by Geoff Mann is incredible.

'Letting Go' doesn't let up the pace; the woozy synths interweave with the mantra like riffs and it's pounding counterpart as it leads to the psychedelic trip of instrumental track 'So Far Away'.  'Belt of the Sun' follows like a cosmic hurricane and brings to mind, Swedish band, Goat, but without their own trademark chanting vocal and given a harder, dirtier edge.  The album ends with the title track and once more demonstrates the addictive tribal psychfunk and looping beats the band set out to discover.

Whatever the inspiration/motivation was for Garcia to write and record the Here Lies Man record it works.  At its best, it’s groovy as hell with the right balance of heavy riffs and stoner fuelled rock, as well as the  psychedelic infused flourishes Garcia strived to create.
I can’t say whether, or not, it’s a combination that’s going to work for everybody.  As someone that doesn’t know too much about what’s considered great (Fela Kuti aside) in afrobeat circles;  I don’t suppose I can really say how it has an appeal that would be embraced by fans of afrobeat.  Garcia wanted to expand on that existing musical tradition and there's no argument that he's achieved that.

In a Month where The Cosmic Dead release an LP entitled ‘Psych is Dead’ and the Dead Sea Apes release an incredible Psych-Dub Record; it would seem that there is an appetite for change and to look at more interesting and challenging approaches to making Psychedelic rock music.
There are some fascinating artists right now, pushing the boundaries and are being backed up by really forward thinking labels.  As 2017 progresses, the calibre of new music is getting stronger and for now at least, Marcos J. Garcia and RidingEasy Records are at the forefront of that.   Here Lies Man have delivered something that’s completely original and spirited, if you’re willing to venture into new territory, this album comes highly recommended.

Here Lies Man Bandcamp

Here Lies Man Facebook

Riding Easy Records Facebook

Riding Easy Records Website


Friday, 31 March 2017

The Next Atom Heart Mutha For and Grip of Delusion Radio...

...goes out live online on Saturday April 8th at 9pm as part of the RockShow. You can hear it live as it happens by going to There will be a clickable player on the AHM Facebook and Twitter pages as well on Bigjaf.nets own social media. As always the encore performance on awesome American Station Grip of Delusion Radio will go out the next day on the 9th at 10amEST/4pmCET/3pmUK This months show will feature brand new tracks from recently released and upcoming records and showcase the best that HeavyPsychedelicStonerRock has to offer; until then you can check out April 2016's broadcast on the mixcloud player below.

Track List:
Sula Bassana - No Way
Papir - III.I
Ancient Sky - Know
Mugstar- Time Machine
Hotel Wrecking City Traders - Entering the Lodge
Space Invaders - Dreadnought
White Manna - Beta Travelers
Chef Menteur - Death Wraith 2000
Wall of Death - Tears of Rainbow
Pauw- Shambhala

Thursday, 30 March 2017

Album Review...Sula Bassana - Organ Accumulator

The last time I spoke with the multi talented and spaced out psych wizard Dave Schmidt from Sulatron Records was in December.  He released the LP 'Shipwrecked' under his Sula Bassana Moniker back in January 2016 and we were speaking about how it was one of my favourite albums of the year.
I asked him about his future plans, and he talked about how he was trying to spend less time touring, to work on more of his recorded works.
Dave had already recorded a new LP and explained "It was made, basically, on organs and portable keyboards; but with added synthesisers and drum machines."
In addition, Schmidt's revealed that he was using guitar and bass in one of the songs and the album was to be be called "Organ Accumulator", true to his word, just one year, after the release of Shipwrecked;  It's here.

Opening track 'Lichtbündel' is a mellow synth kosmische trip; a beautifully blissed out tune, that takes in elements of hypnotic dub, yet is very reminiscent of the early 90's electronic music by The Orb.  This is easily one of my favourite tracks of the year so far.  The album continues in the same cosmic manner with 'Morgentau' another other worldly synth exploration that glimmers rhythmically over a simple yet enhancing melody.  'The Frogs' has an irresistible beat with a sinister oscillation and keyboard progression; working effectively and delivering another album high point. The title track itself is a real treat, starting as an electronic motorik driven piece it soon moves and evolves into a guitar lead Spacerock monster, the addition of different instrumentation really elevates the track to another stratosphere.

'Grashamster' has darker tones than previous tracks, its feel is a much more expansive galactic fuzzy style that resonates over its slowly rolling drum groove.
The Final Track 'Nebelschwaden' is much more cinematic as it unravels over its 10 minute length; its another mellow journey of cerebral joy and a more than fitting way to conclude the record.

I imagine Shipwrecked may have been a tough record to follow; it was without question one of the best records of 2016. To approach a follow up within a year with something as different, and yet familiar sounding as Organ Accumulator must've been quite a task.  As you might expect, its sound is very much within the styles of classic German electronic music; but also demonstrates a contemporary feel. Being prolific, yet keeping the quality control up to a high standard is clearly something Dave Schmidt doesn't have a problem with.

If you buy the CD issue, you'll also get the Sula Bassana tracks from the split release with 3am originally released in 2014; bonus!

Sula Bassana Bandcamp

Sula Bassana Facebook

Sulatron Records

Sunday, 26 March 2017

Bandcamp Roundup

Here are a few Bandcamp Links to some Current and brand new releases, you can stream and hear them now. Take some time and check this stuff out, theres some absolute gems.

This time around there is a live album from Zone Six, Jonathan Morgans latest project and a brilliant release from Swedens Kungens Män that was put out on  a limited run on Cassette only by Eggs in Aspic. Heavy Psych Sounds have put out a killer sampler of some current releases by the label, there's plenty to discover there.
The title links are clickable and will take you to the bandcamp page. As always, if you like what you hear support the artists and pay for the download, or check out their pages and buy a physical version. A lot of the bands here will be selling vinyl versions and special edition packages,


Devil's Witches - Velvet Magic

Lee Van Cleef - Holy Smoke

Bentrees - Psychollage

Gnoomes - Tschak!

Blown Out - Superior Venus

Heavy Psych Sounds Records - HPS Sampler Volume II

Jonathan Morgan - Bells of Divinity

Zone Six - Forever Hugo

Kungens Män - Tomhetens Furste

Cosmic Fall -Kick Out the Jams